After
Putting Your Thoughts on the Page,
Make
Sure the Page Is in Good Hands
If
you’ve arrived at this website, you’ve probably already seen several different
ones purporting to offer the same service — and some of them
promised the
moon, didn’t they? While others attempted to awe you with their
credentials.
Still others implied they could perform that service for less than
anyone else.
We do things somewhat differently at
Present Perfect Editing.
We simply offer a consistently
high-quality product in a
timely fashion at an affordable rate.
Our clients
know what to expect, because they can examine our results (or, in the
case of
larger projects, a sample thereof) before paying us the first penny —
for most
orders of $35 or less, we deliver the entire completed project along with
the
invoice.
Of course, we have credentials, too:
years of professional
proofreading and editing experience. But the proof is in…well,
the proof, isn’t it? Unlike some of our competitors, we
don’t subcontract
your work to a revolving series of hirelings who really do the heavy
lifting
for a fraction of what you pay. Instead, we maintain a small,
talented
staff and try to compensate them adequately for their dedication.
Because that is
the way we do things, we also don’t promise the moon. Any service that
quotes
nearly everything in terms of “24-hour
turnaround” must be (a)
maintaining an extensive and underpaid assortment of stringers to
perform editing chores, (b) instructing what staff they actually do have to edit
your material at breakneck speed, (c) relying primarily on some dubious
computer
program to accomplish the bulk of the work, (d) all of the above, or (e)
exceptionally talented. We do work to specified deadlines; and, for
Regular
Business Customers who require it, we’ll provide results
within one
business day. In our experience, however, a 24-hour
turnaround is
seldom
required by well-organized
clients, even those working in fast-paced
environments. For the same reason, we advise all new clients to note
whether
the announcement at the top of our Contact
page
says “Current
Volume Temporarily at Capacity.” If we’re too busy at the moment
to
process your project immediately,
it
will display that message. We don’t promise what we can’t deliver.
So, what is
it that
we deliver? We don’t rewrite what you’ve written; we clarify
it. We don’t
tell you what to say, simply help you say it better. Your thoughts
expressed on
a page are treated with respect (after all, we don’t know half as much
about
the functioning of your business — or the premise for your novel — as
you do);
they’re merely improved. We correct flaws in your grammar, punctuation,
spelling, and syntax, leaving you with a finished product that actually
says
what you meant it to say.
When we edit
a
page, we don’t merely run it through a computer program; we actually read it. As we do so, we
scan it for punctuation and grammar errors, spelling mistakes, awkward
wording,
and logical inconsistencies. We might also note repetitive usage,
shopworn
phrases, etc. Throughout the process, corrections are made and noted
for your
approval. (In the final analysis, the choice is always up to you.) If
necessary, we’ll also include explanations of the reasoning behind
these changes. When all that has been completed, we’ll return to you a
copy
of your
text incorporating these corrections, so that you can compare it to
your
original, accepting or rejecting each change in turn. All this is
included in
our basic editing service, for one clearly specified fee. Unlike some
services,
we don’t charge one price to “proofread” your document and another —
separate
charge — to “copyedit” it. (When the two are combined, you might be
shocked at
how much you’d have to pay a service like that for what we
consider to be
basic editing.)
Our charges
are
essentially based on a rate of 3¢ per word. We consider this a fair
price for
the effort involved and doubt whether genuine conscientiousness can be
had for
less. Our fees are about average — though our results are far
better.
Some of our competitors charge more than double this rate. That said,
there are
various other services which do charge less. Just remember, accepting
the
lowest bid often means you’ll get what you’ve paid for. (For specific
details,
see Pricing
& Discounts.)
What makes
Present
Perfect Editing a better choice — besides the fact that we perform
quality work
at reasonable rates? Every document is dealt with on its own
terms. A
nonfiction history book is not the same as a post-modern
novel, and
each is
held to a different literary standard. A corporation’s employee
handbook isn’t
normally written in the same colloquial manner as a personal blog. Nor
do any
of these items bear much resemblance to advertising copy. We’re aware
of these
intentional differences in style. Consequently, we don’t try to fit
everything
sent to us into a one-size-fits-all
box manufactured in Oxford
earlier in the last century. Instead,
we concentrate on actual mistakes. What’s more, we respect the author’s
own
voice, correcting obvious errors without attempting to alter the way a
document
sounds. “Proper” usage in the English language is by no means a
settled
issue. Take commas, for instance. What various authorities call “comma
errors”
tend to fall into two categories: the omission/insertion of a comma which (1)
renders a sentence genuinely unclear, illogical, or at odds with
virtually all
common custom; or (2) is simply a matter of an author’s own discretion.
Providing that the author is consistent in his/her style choice, we
leave the
second sort alone. Some “authorities,” on the other hand, attempt to
correct
what needs no correction. Services which rely on them are best avoided.
We’ve even seen another editing
service scold a potential
client for using incomplete sentences and capitalizing every word in a real estate listing, when both are
common practices in such ads. Those recommendations were so fastidious they were foolish. We’d have merely corrected the genuine mistakes and then let the client
and proofreader get on with their respective businesses.
Meanwhile, in another corner of the internet, executives at one of our
largest competitors began their sample for editing a novel with these words: “It was a dark and
stormy
night.” In the accompanying sample of their “corrections,” they suggested
adding
“as they say” after this sentence but noted that the author might
decide to
leave it as written if it was intended as “deadpan” humor. Our editing
service
wouldn’t have said that. We probably also wouldn’t have pointed out
that this
opening line has been notorious since Bulwer-Lytton
first used it in
1830, that
now there’s an annual contest sponsored by the English Department at
San Jose
State University to recognize the worst examples of such writing, or
that every
novel Snoopy ever started typing on top of his dog house began with
precisely the same statement. Our comment would have read, more or
less, “This
opening
sentence is regarded as extremely trite. Consider changing it.”
Where samples are concerned, we prefer not to
manufacture some artificial construct for your assessment. You can have
an authentic sample of your own.
Upon
request, we’ll provide the client with one prior to initial payment for
services rendered. (As already mentioned, in the case of smaller
orders, we
usually deliver the entire completed project along with the invoice.)
Note: For general purposes, we
do
not strictly adhere to the guidelines advocated by The
Chicago Manual of Style, the AP
Stylebook, or the New
Oxford Style Manual. Their dictates frequently conflict with
one another,
and none is the undisputed arbiter of usage. Authorities often
disagree.
Instead, we employ a rational synthesis of best practices, as described
above.
If you do require adherence to a particular style guide, please inform
us of
that. Keep in mind, however, that specific style guides are suited to
quite
different uses.
Note:
Although the text for this website is composed to American standards, we edit for either American or British
usage. Just specify your preference when you contact us and
submit your
document(s). (For procedure, see Contact.)
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